Please use this identifier to cite or link to this item: http://hdl.handle.net/1783.1/6413

在西方的注視下 : 湯姆遜、南懷謙及甘博攝影初探

湯姆遜、南懷謙及甘博攝影初探

Under western eyes : a study of photographical works of John Thomson, Leone Nani and Sidney Gamble

Study of photographical works of John Thomson, Leone Nani and Sidney Gamble

Authors Li, Xiaoyu (李瀟雨)
Issue Date 2009
Summary The research of visual culture has received increasing attention in recent years. As a form of visual practice, photography has been given much attention because of its complexity and specificity. Currently, there exists a strong trend towards the discussion of photography in the context of the colonial and post-colonial periods. Many studies of Western photographers’ practices in colonial Africa or Asia have been done, but how they traveled in and pictured China has not systematically been investigated. As a preliminary attempt, this thesis focuses on three Western photographers, John Thomson, Leone Nani, and Sydney D. Gamble, who traveled to China with a camera and made numerous pictures there from the mid-1800s to the late 1930s, a period that decisively shaped a modern China. In analysis of their photographic works I intend to explore the complex relationships between image, technology, aesthetics, and ideology with interdisciplinary approach, across the fields of ethnology, sociology, psychology, intellectual and art history. My thesis will demonstrate how photography multiply functioned in their practices: photography was used not only as a tool to manage, express and even construct an imagined colony, but also as a carrier of epochal ideology and their own egoistic propensities and aesthetic tastes.
Note Thesis (M.Phil.)--Hong Kong University of Science and Technology, 2009
Subjects
Language Chinese
Format Thesis
Access
Files in this item:
File Description Size Format
th_redirect.html 337 B HTML